Instructor: Victor Sandblom
E-mail: vsandblo@bellevuecollege.edu
Phone: 425-564-2479
Office location: C250B
Office Hours: Monday-
Wednesday 7:30- 8:20 AM
Course Outcomes
COURSE OBJECTIVES: To develop greater visual
acuity and learn basic watercolor skills. This course will address:
v
accuracy of shape
v
composition
v
line quality
v
the use of washes
v
volume and depth
v
use of value to create highlight and shadow
v
atmospheric perspective
v
the use of various watercolor
media (paint, binders/media and paper)
v
basic color theory
v
gesture
v
form
v
detail
v
presentation
http://bellevuecollege.edu/cps/proposals/lo.aspx
How Outcomes will be met
YOUR
WORK WILL BE EVALUATED CONSIDERING YOUR PROFICIENCY IN USING THESE OBJECTIVES
IN YOUR DRAWINGS.
Many painting methods will be discussed in class
and a number of work assignments and lab assignments will accompany these
topics. To develop greater visual acuity
and learn basic watercolor skills, please keep up with regular attendance, note
taking, and bringing the appropriate painting materials to class. Participating
in regular assignments and in-class work are the means to realizing the course
objectives.
CRITIQUES
AND REVIEWS: In-class drawings will be reviewed on the board periodically and the
homework drawings will be reviewed on the board at the BEGINNING of the class
when due. Any drawing NOT on the bulletin board when it is due will be
considered late. Students will be expected to participate in the
critique/review process. This is an opportunity to ask questions about problems
you may have encountered, to see how other students approached the assignment,
and learn more about how to improve your work.
Grading
Grades
are awarded based upon in-class and homework drawing assignments as well as
attendance and class participation. Assignments are turned in on a regular
basis and graded throughout the quarter. Refer to the attached SYLLABUS of
dates for the specific schedule for this quarter. The in-class work is designed
for the achievement of the above stated drawing objectives. A studio
environment where your instructor can assist you and answer your questions is
critical for the achievement of these objectives; come to class. The
homework assignments will address more in-depth explorations of the techniques
discussed in class. Generally, persons who extend a reasonable effort and MEET
ALL THE REQUIREMENTS (assignments, attendance, etc.) will attain at least a
"C" level, although there are, of course, no guarantees. A
"C" level grade from this course on your transcripts or resumes
signifies that you are COMPETENT in your drawing abilities regarding the above
stated drawing objectives. "B" level will require an above average,
reasonably complete mastery of the drawing objectives. An "A" level
will additionally require outstanding skill development, illustrated by exceptional
drawings completed in both the homework and in-class assignments. Grading on
your work is done on a numerical scale as follows:
A =
9.5 A- = 9.0 B = 8.5 B- = 8.0 C =7.5
C- = 7 D = 6.5 D- = 6
*WORK TURNED IN LATE WILL BE LOWERED A
GRADE
*WORK NOT TURNED IN WILL BE ASSIGNED A
ZERO"0"
*STUDENTS
MUST COMPLETE AND TURN IN AT LEAST 75% OF DRAWINGS TO BE AWARDED CREDIT FOR THE
COURSE.
The
assignments that you turn in will be graded with the above number scale. For
your final grade, these scores are simply added up and averaged. You can gauge
your grade at any time during the quarter by keeping track of your scores and
figuring your average.
An
additional element to your grade (approximately 10%) is your studio final
evaluation. This is based on attendance and work in class. If you have regular
attendance (see more on attendance below), bring the required drawing
materials, participate in critiques, and follow studio instructions, you will
have no problems with the studio evaluation.
ATTENDANCE: 100% attendance is very
important to get the benefit of introductory lectures, slide presentations,
assignments and directions, critiques, and the instructor's help with your
work. You are responsible for obtaining information which you may have missed
in not attending class. Drawings completed in the studio are from still-lives
and you must be in class to see them. After 3 absences it is advised
that you withdraw from the class, five or more absences will equal an F. If there is an extended illness or specific
emergency which would warrant an incomplete grade, you will need to notify your
instructor. At least 70% of class work must be successfully completed in order
for an "incomplete" grade to be assigned.
The link to the
College Grading Policy is located on page 10 of the Course Catalog and also on
the web at: http://bellevuecollege.edu/policies/3/3000_grading.asp.
Books and Materials Required
Suggested Texts:
3. Arthur Guptill: Watercolor Painting
Step-by Step
Web Links:
1. Online Etymological Dictionary http://www.etymonline.com/index.php?search=art&searchmode=none
2. Artlex.com http://www.artlex.com
The Art of Drawing by Chaet
Drawing on the Right Side of the Brain by
Betty Edwards
Drawing from Life by Clint Brown and Cheryl
McLean
Drawing/A Contemporary Approach by Claudia
Betti and Teel Sale
Anatomy for the Artist by Jeno Barcsay
Drawing from Observation by Brian Curtis
The
Instructor’s Expectation
Many painting methods will be discussed in class and a number of work
assignments and lab assignments will accompany these topics. Please keep up with regular attendance, note
taking, and bringing the appropriate painting materials to class. After three
absences it is advised that you withdraw from the class, more than 3 absences will equal an F. Tardiness, leaving
early and disruptive classroom behavior will also count as either half day
attendance or a complete absence, at my
discretion.. Attendance and effort are the most important
factors in determining your grade. As a common courtesy to fellow students and
the classroom environment, cell
phones are to be turned off in class. Speak with me before class if you
must leave your phone on.
Keep
all of your homework assignments in a neatly arranged portfolio to hand in at
the end of the term. You will be graded
on its completeness and quality.
Art room C161 is a multi-use facility. There are usually three to four
sections of design, color and sometimes
painting per quarter. It is important that we keep this room organized, so PLEASE
return your benches and easels to their assigned areas before leaving the room.
Please clean up after yourself. Loud talking, eating and
inconsiderate behavior are not encouraged and will adversely effect your grade.
At times you may want to continue
working on a painting from an in-class still life. If you do want to do some
additional work here, please check the room schedule posted outside. Other
instructors are not to be expected to accommodate you during their classes.
Affirmation of Inclusion
Bellevue College is committed to maintaining an environment in which every member of the campus community feels welcome to participate in the life of the college, free from harassment and discrimination.
We value our different backgrounds at Bellevue College, and students, faculty, staff members, and administrators are to treat one another with dignity and respect. http://bellevuecollege.edu/about/goals/inclusion.asp
Division Statements
Arts and Humanities Commitment to Student Growth and Development
This community is about learning and citizenship, responsibility and
accountability, engagement with the world, and the maturing development of the
self. Bellevue College is dedicated solely to the education of our students. In
every aspect of their experience, we seek to provide students the
opportunities, challenges, and support to prepare themselves for a life of
personal success, engaged citizenship, and enjoyment of the world.
The community of a campus establishes a context for learning. It allows
us to provide students a total liberal arts education that will help them
develop the creative and critical thinking skills needed to be become
resilient, independent, and self-sufficient adults.
Problem solving is a key feature of any meaningful educational
experience.
When allowed to work through the problems, students have opportunities
to learn important skills of communication (e.g. how to voice a view and
actively hear a different view), team work (e.g. working with others to
identify problems, creatively develop solutions, and locate resources to
implement ideas), and working across difference in a local and global context
(how to work with those who are different than themselves, how to turn
difference into a creative plus).
This means we allow students to struggle with problems and grope for
answers. We strive not to "fix" things for students, thus depriving
them of the valuable learning that comes of adversity. Instead, we will help
them learn to use the extensive network of people and resources to solve problems
for themselves. We think about this as "coaching" students.
We invite you, the student, to take an active role in this process and
become adept at problem solving during your study at BC. We encourage you to
partner with us in the following ways:
·
Ask questions when you don’t understand or need assistance. Don’t assume
instructors, staff or administrators know or will give the answers to unasked
questions.
·
Identify
and use available resources (e.g. faculty, advisors, library), avoid requesting
or allowing someone else to contact these resources for you.
·
Understand
that process is crucial in an educational environment. The quick fix often
blunts the learning. Most often students benefit from developing strategies for
accomplishing goals while outside of comfort zones. Learn to negotiate
difference and to manage conflict.
Here’s what we will do to assist you in this process.
·
We will make
every college resource available to you to see that you meet the challenges of
higher education and succeed to the best of your ability.
·
We will
address any question you might have about your work at BC with the intention of
providing you the best response that the circumstances permit.
·
We will
discourage third parties (parents, spouses, friends) from slowing your growth
and progress by responding only to direct inquiries from you, the student. We
do this because we are committed to student self-advocacy and independence. We
also do it because federal law (the Family Educational Rights and Privacy Act)
mandates that we protect the privacy of student education records, and BC
policy mandates that we keep academic performance as a matter between the
institution and the student. Requests by students to include third parties in
any instructor-student discussion of academic performance will be considered on
a case-by-case basis at the discretion of the instructor.
·
We will work
together with you and the Office of the Disability Resource Center (DRC), where
appropriate, to make your college experience successful.
As you begin this exciting time, we encourage you to think about the
type of educational experience you hope takes places over the next few years.
We hope you share our vision of the possibilities: that each of our
graduates will be well-prepared to be active, engaged, and capable of making a
difference in the world.
That goal is best achieved when students make this education their own. It is
also best achieved when we are comfortable allowing students to make mistakes,
to struggle through issues, and to have the range of experiences needed to
develop the skills, values, and habits of resilient, independent, and
self-sufficient adults.
Information
about Bellevue College's copyright guidelines can be found at: http://bellevuecollege.edu/lmc/links/copyright.html
A good resource for Plagiarism is the Writing Lab:
http://bellevuecollege.edu/writinglab/Plagiarism.html
Student Code
“Cheating, stealing and
plagiarizing (using the ideas or words of another as one’s own without crediting
the source) and inappropriate/disruptive classroom behavior are violations of
the Student Code of Conduct at Bellevue College. Examples of unacceptable behavior include,
but are not limited to: talking out of turn, arriving late or leaving early without
a valid reason, allowing cell phones/pagers to ring, and inappropriate behavior
toward the instructor or classmates. The
instructor can refer any violation of the Student Code of Conduct to the Vice
President of Student Services for possible probation or suspension from
Bellevue College. Specific student
rights, responsibilities and appeal procedures are listed in the Student Code
of Conduct, available in the office of the Vice President of Student Services.” The Student Code, Policy 2050, in its entirety
is located at: http://bellevuecollege.edu/policies/2/2050_Student_Code.asp
[If you plan to use a
plagiarism checking service, you should indicate so in your syllabus. Please
make sure your penalty for plagiarism does not contradict official college
policy.]
Bellevue College E-mail and access to MyBC
All students registered for
classes at Bellevue College are entitled to a network and e-mail account. Your student network
account can be used to access your student e-mail, log in to computers in labs
and classrooms, connect to the BC wireless network and log in to MyBC.
To create your account, go to: https://bellevuecollege.edu/sam
.
BC offers a wide variety of
computer and learning labs to enhance learning and student success. Find
current campus locations for all student labs by visiting the Computing Services website.
Disability Resource Center (DRC)
The Disability Resource
Center serves students with a wide array of learning challenges and
disabilities. If you are a student who has a disability or learning challenge
for which you have documentation or have seen someone for treatment and if you
feel you may need accommodations in order to be successful in college, please
contact us as soon as possible.
If you are a person who
requires assistance in case of an emergency situation, such as a fire,
earthquake, etc, please meet with your individual instructors to develop a
safety plan within the first week of the quarter.
The DRC office is located in
B 132 or you can call our reception desk at 425.564.2498. Deaf students can reach us by video phone at
425-440-2025 or by TTY at 425-564-4110.
. . Please visit our website for application
information into our program and other helpful links at www.bellevuecollege.edu/drc
Public Safety
The Bellevue College (BC) Public Safety Department’s well trained and courteous non-commissioned staff provides personal safety, security, crime prevention, preliminary investigations, and other services to the campus community, 24 hours per day, 7 days per week. Their phone number is 425.564.2400. The Public Safety website is your one-stop resource for campus emergency preparedness information, campus closure announcements and critical information in the event of an emergency. Public Safety is located in K100 and on the web at: http://bellevuecollege.edu/publicsafety/
Final Exam Schedule
Our Final Exam/ Review will
be Monday, December 6th at 3:30 PM
http://bellevuecollege.edu/classes/exams
Academic Calendar
The Bellevue College Academic
Calendar is separated into two calendars. They provide information about
holidays, closures and important enrollment dates such as the finals schedule.
|
September
/ 2011 |
|
|||||||
|
Sun |
Mon |
Tue |
Wed |
Thu |
Fri |
Sat |
|
|
|
|
19 Introduction/
signed syllabus/ Paint and Paper |
|
21 Introduction/
signed syllabus/ Paint and Paper |
|
|
|
||
|
|
26 Gesture and
Composition |
|
28 Gesture and Composition |
|
|
|
||
|
October / 2011 |
|
|||||||
|
Sun |
Mon |
Tue |
Wed |
Thu |
Fri |
Sat |
|
|
|
|
3 Gesture to Form / Form to
Gesture |
|
5 Gesture to Form / Form to
Gesture |
|
|
|
||
|
|
10 Form to Detail |
|
12 Form to Detail |
|
|
|
||
|
|
17 Detail and Texture |
|
19 Gesture-Form-Detail |
|
|
|
||
|
|
24 Gesture-Form-Detail |
|
26 NO
CLASS |
|
|
|
||
|
Oct 31 / Nov /2011 |
|
|||||||
|
Sun |
Mon |
Tue |
Wed |
Thu |
Fri |
Sat |
|
|
|
|
31 Drawing to Painting |
|
2 Drawing to Painting |
|
|
|
||
|
|
7 Sketching and Painting |
|
9 Sketching and Painting |
|
|
|
||
|
|
14 The Portrait
|
|
16 The Portrait
|
|
|
|
||
|
|
21 The Portrait
|
|
23 The Portrait
|
|
|
|
||
|
|
28 Review and Final |
|
30 Review and Final |
|
|
|
||
|
December / 2010 |
|
|||||||
|
Sun |
Mon |
Tue |
Wed |
Thu |
Fri |
Sat |
|
|
|
|
5 Final |
|
7 Return
work |
|
|
|
||
|
|
|
|
|
|
|
|
||
Expansion
SUPPLY
LIST
Azo
Yellow
Pyrrol
Red
Ultramarine
Blue
Quinacridone
Rust
Cobalt
Green
Palette
Tray
9x12
Wirebound Watercolor Book
1”
Gold Taklon Mix Brush (for washes)
#6
Round Kolinsky Sable
Bamboo
Brush Rollup
RECOMMENDED
Lock
Work Apron or
Old Clothes
Box to
Transport Materials
The Art of Drawing by Chaet
Drawing on the Right Side of the Brain by
Betty Edwards
Drawing from Life by Clint Brown and Cheryl
McLean
Drawing/A Contemporary Approach by Claudia
Betti and Teel Sale
Anatomy for the Artist by Jeno Barcsay
Drawing from Observation by Brian Curtis
The Natural Way to
Draw by Nicolaides
Additional
materials as needed may be purchased at the bookstore or:
Artist & Craftsman
Supply 4350 8th Ave NE, Seattle 206-545-0162
Utrecht Linens 1124 Pike Street (corner of Pike & Minor)
Seattle (206) 382-9696
Daniel Smith, Inc. 4150 First Avenue S.,
Seattle (206) 223-9599 or
15112 NE 24th Street, Bellevue (425) 643-1781
Bellevue Art & Frame
1024 116th St. NE Bellevue (425) 453-8959