Course Philosophy: I love poetry: reading it, writing it and helping others write poetry. I believe that any kind of writing requires knowledge, courage, commitment, and discipline. I also believe writing, like any skill, is best learned in a positive, supportive environment. Writing – at least when it goes well! – is fun, exhilarating, and life enhancing. I hope that you will come away from this course with an increased understanding of your creativity, writing process and style.
·
Drake: Writing
Poetry
·
Goldberg: Writing Down the Bones
·
If you
are a returning student and have Drake and Goldberg, please also purchase Ted
Kosser: Poetry Repair Manual, Advice for Beginning Poets. This is a great reading for every poet.
Please
also have:
·
A CD reserved for your work for this course
·
A notebook to use for your writing journal
· A reliable computer, preferably your own, equipped with MS WORD. Please DO NOT use WORKS or WORD PERFECT for your work in this class. If you do not have MS Word, save your work in RTF (Rich Text Format)
· A back-up plan in case of computer failure. Please email me a detailed statement of your specific back-up plan as soon as you get on the course site.
This class is conducted
completely on-line; therefore, you are not required to attend classroom
sessions and I am available only through our class email. However, this is not a correspondence course
to be completed on your own timetable in isolation. How much you learn will be directly
proportional to how much you participate in the online community, how well you
manage your time, and how well you follow written directions. If you are not
sure whether or not an online course is right for you, complete the following
questionnaire: http://distance-ed.bcc.ctc.edu/webassess/
If you have signed up for this class thinking that it would involve less work than a course in the classroom alas you were mistaken. You will need a minimum of one or two uninterrupted hours every weekday to work on the assignments for this class.
6.
Plan to write original work for this class,
submit it on time, listen respectfully to feedback, and offer constructive
critiques in order to support the other writers in the class. You should also expect the same in return.
7.
If you have problems, please let me know right
away. If you have an emergency and you cannot contact me, please ask a friend
or family to do so.
8.
If you are a Running Start Student, you may find
college expectations different from high school ones. Please be aware that it
is not appropriate for your parent or guardian to contact me about your work in
the class. It is also not appropriate to
ask for special consideration regarding deadlines or assignments in order to
meet your high school commitments.
As a result of taking this course, you will be
familiar with the following:
o Reading poetry
is essential for the writing of poetry;
o Equally
important is carving out space and time to nourish your creativity and generate
writing;
o The vocabulary
of poetry including, line, line break, stanza, diction, tone, image, metaphor,
extended metaphor, scansion, rhythm, closed and open form;
o The writing
process from free writing through revision;
o The use of forms
to emphasize meaning;
o The use of strong, showing verbs and naming
nouns to achieve tight diction and flow/ rhythm in your poems;
o How to carefully
read, analyze and critique poems;
o Be able to
self-assess.
Each week you will
read, write a poem, and critique poems.
You will go on an Art Date and write a Self-evaluation of the work you
did during the week. The assignments are
due as assigned. Late work will loose credit.
Weekly Timelines:
1. Post your poem to the Discussion Board by noon on Wednesday.
2. Post your critiques by noon on Friday.
3. Self-evals are due by 5:00 p.m. on Friday.
4. Complete art dates by Friday.
Art Dates: Your first art date will be in Week 2. These are fun activities designed to carve
out time to nourish your creativity. Many students tell me they are the best part of the class
1. Revise two poems and post them
to the assignment Module.
2. Submit a Final Portfolio and
3.
A Final Self-evaluation.
Extra credit (10 points) Attend and respond to a live Poetry Reading.
(This is the only extra credit assignment).
Instructions
for this Assignment and places where you can go to hear live poetry are
included in your week 2 information.
Your grades are based on the
points that you earn for completing assignments. The chart below shows the
maximum number of points possible for each assignment. Late work automatically
looses points. Missed assignments cannot
be made up.
Assignments |
Weekly pts |
Qtr points |
|
1. Writing and posting poems |
5 |
40 |
|
2.
Critiquing 3
poems each week |
5 |
50 |
|
3. Weekly Art Date
|
5 |
40 |
|
4. Attending a live poetry reading |
|
10 |
|
5. Weekly Self-Evaluation |
5 |
50 |
|
6.
Two Revisions |
10 |
20 |
|
7. Final Portfolio |
|
20 |
|
8.
Poetry |
10 |
10 |
|
9.
Final Self assessment
Of your learning in this class. |
|
10 |
|
Total weekly and qtr points |
20 pts. |
250 pts. |
|
250-227 |
A range |
|
226-202 |
B range |
|
225-165 |
C range |
|
164-152 |
D range |
|
Below 152 |
Failing |
A mailbox is available
on the class website toolbar for e-mail communication between you and me or you
and other classmates. Please use the Questions for the Instructor forum (in the
Discussion Area) rather than e-mail to post questions about the class.
The discussion area for the class provides a place for student discussions regarding course materials. The discussion area has several boards, each of which has a specific purpose.
Weekly Self Evaluation: due
each Friday by 5:00 p.m.
In your weekly
self-evaluation respond to each of the following:
1. What did I do for Writing Poetry
this week? Be specific. For Example: I completed the reading assignments, wrote
for twenty minutes each day in my journal, wrote and posted this week’s poem,
responded to three poems and completed this week’s Art Date.
2.
How many
hours did you spend on the course this week?
3.
What did
I learn/gain from the readings?
4. Talk
about this week’s art date, what you did, what you gained/learned.
5. What was the most useful
critique you received on this week’s poem? Why was it helpful?
6. What
questions/problems do I have? No
questions so far.
7. Whose comments were most helpful and why they were helpful.
8. Attach a copy of your critiqued poem.
How to submit your weekly
Self-evaluation
1. Label your document with
your first and last name and the assignment name in a title sheet or in the
upper left hand corner of your document.
2. Save your document to your
computer. When you save it, be sure to
include your name and the assignment name as part of the filename. Example:
Smithselfevalwk1.doc
3. Email your self-evaluation to me on our course site.
Here is a list of books that I
recommend if you want to read more about creativity and/or writing poetry. I will also be happy to recommend
individual collections of poets for you.
Ted Kooser: The
Poetry Repair Manual: Practical Advice for Beginning Poets (excellent
advice from the current U.S. Poet Laureate)
Rollo May: The Courage to Create
Mary Oliver: Blue Pasture and Rules
for the Dance.
William Stafford: Writing the Australian Crawl and You Must
Revise Your Life
Richard Hugo: Triggering Town
Theodore Roethke: On the Poet and
His (sic) Craft